Please use this identifier to cite or link to this item: https://zone.biblio.laurentian.ca/handle/10219/3893
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dc.contributor.authorKennedy-Dew, Kevin-
dc.date.accessioned2022-06-01T16:00:14Z-
dc.date.available2022-06-01T16:00:14Z-
dc.date.issued2022-04-09-
dc.identifier.urihttps://zone.biblio.laurentian.ca/handle/10219/3893-
dc.description.abstractThe stance of the nightclub industry is often perceived as an exclusive, lavish artifact of commodity in the city. Although, when operated under the care of local music collectives, they are factually inclusive and have demonstrated great social agency in design. Music and nightclubs [spaces for dance] are a healthy social activity for the stability and growth of our mental health and should not be rejected by the superficial view the media projects. We are starting to see how digital technology is bringing an end to physical collective encounters, thereby losing the aura of human intimacy of musical performances. To reinvigorate this aura, the design of an events hall derives principles of social agency design from subcultural venues of our past and a programmatic envelope strategized to support local music culture and allow for the full creative freedom of the artist.en_US
dc.language.isoenen_US
dc.subjectAgencyen_US
dc.subjectmusic venueen_US
dc.subjectmusic cultureen_US
dc.subjectartist residencyen_US
dc.subjectinclusive designen_US
dc.subjectsubculturesen_US
dc.subjectnightclubsen_US
dc.titleMusic Is the answer: attributing social agency In architecture to music venues In the cityen_US
dc.typeThesisen_US
dc.description.degreeMaster of Architecture (M.Arch)en_US
dc.publisher.grantorLaurentian University of Sudburyen_US
Appears in Collections:Architecture - Master's Theses

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