Please use this identifier to cite or link to this item: https://zone.biblio.laurentian.ca/handle/10219/3351
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dc.contributor.authorBass, Cody-
dc.date.accessioned2019-09-26T17:58:26Z-
dc.date.available2019-09-26T17:58:26Z-
dc.date.issued2019-07-26-
dc.identifier.urihttps://zone.biblio.laurentian.ca/handle/10219/3351-
dc.description.abstractThe mind’s ability to fill void space with elaborate landscapes and complex structures is truly extraordinary. As humans we have an innate ability to create spaces, sometimes entirely new, sometimes variations of places we know, drawing from elements that we encounter in our conscious lives. This thesis explores this phenomenon of dreaming from an architectural perspective. This research considers the history of dreams as cultural and artistic phenomena and their subsequent representation amongst a vast array of media. Film is identified as the most appropriate medium to represent the temporal qualities of dreams, and as such, is suggested as a potential tool for developing an architectural design strategy. In response to an increasingly objective architectural landscape, the hypothesis suggested herein uses filmic devices to design spaces that mimic aspects of the subjective dream experience. This thesis has culminated in the proposal of a “dreamatorium” development on Bethel Lake in Sudbury, Ontario. The project is a public park that explores oneiric space through a series of pathways and pavilions.en_US
dc.language.isoenen_US
dc.subjectBethel Lakeen_US
dc.subjectSudbury, Ontarioen_US
dc.subjectoneiric architectureen_US
dc.subjectmind's abilityen_US
dc.subjectlandscapesen_US
dc.subjectcomplex structuresen_US
dc.titleOneiric architecture: a filmic exploration of the subjective dream experienceen_US
dc.typeThesisen_US
dc.description.degreeMaster of Architectureen_US
dc.publisher.grantorLaurentian University of Sudburyen_US
Appears in Collections:Architecture - Master's Theses
Master's Theses



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