Please use this identifier to cite or link to this item: https://zone.biblio.laurentian.ca/handle/10219/3112
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dc.contributor.authorTurkington, Emmett-
dc.date.accessioned2018-05-14T18:30:38Z-
dc.date.available2018-05-14T18:30:38Z-
dc.date.issued2018-05-09-
dc.identifier.urihttps://zone.biblio.laurentian.ca/handle/10219/3112-
dc.description.abstractRepresentation of nonhuman animals is a complex and multifaceted subject. Through the act of representation, it is important for us to consider the impact humans have on constructing the identity of nonhuman animals. Due to the variety of ways humans engage in the act of representation, this project looks at how three representative modes (literature, film, and science) shape our understanding of whales and construct a whale’s identity in the process. The study is based on a human-animal studies framework and uses Vinciane Despret’s notion of agencement to deal with the subject of nonhuman identity.en_CA
dc.language.isoenen_CA
dc.subjectHuman-animal studiesen_CA
dc.subjectnonhuman identityen_CA
dc.subjectwhale identityen_CA
dc.subjectnonhuman representationen_CA
dc.subjectMobyDicken_CA
dc.subjectwildlife documentaryen_CA
dc.subjectethographyen_CA
dc.subjectagencementen_CA
dc.titleBlubbering on: representations of whale identity in literature, film, and scienceen_CA
dc.typeThesisen_CA
dc.description.degreeMaster of Arts in Humanitiesen_CA
dc.publisher.grantorLaurentian University of Sudburyen_CA
Appears in Collections:Humanities - Master's Theses
Master's Theses

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